The 2021 Jerusalem Design Week, titled Runaway Circus, explored the theme of hedonistic escape. Responding to this, the TAKEOFF exhibit transformed an attic into a surreal, aircraft-inspired environment. Stepping into mirrored units, visitors confronted infinite reflections and a post-pandemic longing for travel. Offering no destination, the installation suspended people between places and realities, blurring the passage of time.

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In collaboration with Studio Weinbenami, I created the surrounding video projection, which served as the room's sole light source. Paired with a slow ambient soundscape by Avizohar, the space settled into a rhythm of endless hovering. I generated the clouds through code, giving them a constant, dynamic shift in their materiality and position. Their movement along the Z-axis created three-dimensional depth and a feeling of forward momentum, yet each wall displayed a different trajectory, dissolving any clear sense of direction.

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Interrogating the tension between physical and digital, simulation and stimulation, this real-time narrative is orchestrated across three distinct channels. By juxtaposing an iMessage chat, live system operations, and closed-captioned body sensations, the system demands a physical presence while revealing a bodylessness of its own.

The filmmaker joins her mother's annual visit to the house where the latter was born and raised in a village in Hong Kong. This house is still the home of the mother's 95-year-old father, the grandfather of the filmmaker, affectionately known as Gong Gong. The film spans several weeks, and follows the daily routine of the grandfather, mother and granddaughter, which takes place entirely in the compound of the house in the village. The shared and close stay reveals the different and changing relationships between the three generations, which exist in the face of deep gaps. Against the background of the lack of a common language, belonging to separate and distant cultures, differences in lifestyles and a gap between generations, the film describes a longing for closeness and seeks to examine the different forms through which intimacy can emerge.

Presented on the large screens of the ZAZ10TS gallery in Times Square, this video piece is built from footage of electrical wires captured during the height of the pandemic. As the video progresses, this familiar infrastructure gathers in heavy layers, capturing the tension of its role in our lives; the dual potential to tie us together while deeply altering our communication and our very senses to the point of tearing us apart. Created during days of extreme isolation, the lines ultimately build into a cage-like geometry, accelerating to a point of suffocation.

Since its early days, I have been an organizer with Culture of Solidarity, a volunteer-based grassroots movement operating on shared community resources rather than institutional funding. This online holiday gift store is the organization's largest annual fundraising initiative, which I led throughout its evolution, and this year for its second edition during active war. It transforms collective resources into direct action, building consensus around the dignity of all lives while funding food security operations across Israel and Palestine.

This project is a national scale, multi platform campaign calling for early elections in Israel. Launched alongside physical billboards and a social media push, the central website uses infographics to demonstrate a broad public consensus on core civic issues. The objective was to harness the clarity of data visualization to empower the liberal voice in the country and motivate active civic participation.

The 2021 Jerusalem Design Week, titled Runaway Circus, explored the theme of hedonistic escape. Responding to this, the TAKEOFF exhibit transformed an attic into a surreal, aircraft-inspired environment. Stepping into mirrored units, visitors confronted infinite reflections and a post-pandemic longing for travel. Offering no destination, the installation suspended people between places and realities, blurring the passage of time.

​

In collaboration with Studio Weinbenami, I created the surrounding video projection, which served as the room's sole light source. Paired with a slow ambient soundscape by Avizohar, the space settled into a rhythm of endless hovering. I generated the clouds through code, giving them a constant, dynamic shift in their materiality and position. Their movement along the Z-axis created three-dimensional depth and a feeling of forward momentum, yet each wall displayed a different trajectory, dissolving any clear sense of direction.

​

Interrogating the tension between physical and digital, simulation and stimulation, this real-time narrative is orchestrated across three distinct channels. By juxtaposing an iMessage chat, live system operations, and closed-captioned body sensations, the system demands a physical presence while revealing a bodylessness of its own.

The filmmaker joins her mother's annual visit to the house where the latter was born and raised in a village in Hong Kong. This house is still the home of the mother's 95-year-old father, the grandfather of the filmmaker, affectionately known as Gong Gong. The film spans several weeks, and follows the daily routine of the grandfather, mother and granddaughter, which takes place entirely in the compound of the house in the village. The shared and close stay reveals the different and changing relationships between the three generations, which exist in the face of deep gaps. Against the background of the lack of a common language, belonging to separate and distant cultures, differences in lifestyles and a gap between generations, the film describes a longing for closeness and seeks to examine the different forms through which intimacy can emerge.

Presented on the large screens of the ZAZ10TS gallery in Times Square, this video piece is built from footage of electrical wires captured during the height of the pandemic. As the video progresses, this familiar infrastructure gathers in heavy layers, capturing the tension of its role in our lives; the dual potential to tie us together while deeply altering our communication and our very senses to the point of tearing us apart. Created during days of extreme isolation, the lines ultimately build into a cage-like geometry, accelerating to a point of suffocation.

Since its early days, I have been an organizer with Culture of Solidarity, a volunteer-based grassroots movement operating on shared community resources rather than institutional funding. This online holiday gift store is the organization's largest annual fundraising initiative, which I led throughout its evolution, and this year for its second edition during active war. It transforms collective resources into direct action, building consensus around the dignity of all lives while funding food security operations across Israel and Palestine.

This project is a national scale, multi platform campaign calling for early elections in Israel. Launched alongside physical billboards and a social media push, the central website uses infographics to demonstrate a broad public consensus on core civic issues. The objective was to harness the clarity of data visualization to empower the liberal voice in the country and motivate active civic participation.

The 2021 Jerusalem Design Week, titled Runaway Circus, explored the theme of hedonistic escape. Responding to this, the TAKEOFF exhibit transformed an attic into a surreal, aircraft-inspired environment. Stepping into mirrored units, visitors confronted infinite reflections and a post-pandemic longing for travel. Offering no destination, the installation suspended people between places and realities, blurring the passage of time.

​

In collaboration with Studio Weinbenami, I created the surrounding video projection, which served as the room's sole light source. Paired with a slow ambient soundscape by Avizohar, the space settled into a rhythm of endless hovering. I generated the clouds through code, giving them a constant, dynamic shift in their materiality and position. Their movement along the Z-axis created three-dimensional depth and a feeling of forward momentum, yet each wall displayed a different trajectory, dissolving any clear sense of direction.

​

Interrogating the tension between physical and digital, simulation and stimulation, this real-time narrative is orchestrated across three distinct channels. By juxtaposing an iMessage chat, live system operations, and closed-captioned body sensations, the system demands a physical presence while revealing a bodylessness of its own.

The filmmaker joins her mother's annual visit to the house where the latter was born and raised in a village in Hong Kong. This house is still the home of the mother's 95-year-old father, the grandfather of the filmmaker, affectionately known as Gong Gong. The film spans several weeks, and follows the daily routine of the grandfather, mother and granddaughter, which takes place entirely in the compound of the house in the village. The shared and close stay reveals the different and changing relationships between the three generations, which exist in the face of deep gaps. Against the background of the lack of a common language, belonging to separate and distant cultures, differences in lifestyles and a gap between generations, the film describes a longing for closeness and seeks to examine the different forms through which intimacy can emerge.

Presented on the large screens of the ZAZ10TS gallery in Times Square, this video piece is built from footage of electrical wires captured during the height of the pandemic. As the video progresses, this familiar infrastructure gathers in heavy layers, capturing the tension of its role in our lives; the dual potential to tie us together while deeply altering our communication and our very senses to the point of tearing us apart. Created during days of extreme isolation, the lines ultimately build into a cage-like geometry, accelerating to a point of suffocation.

Since its early days, I have been an organizer with Culture of Solidarity, a volunteer-based grassroots movement operating on shared community resources rather than institutional funding. This online holiday gift store is the organization's largest annual fundraising initiative, which I led throughout its evolution, and this year for its second edition during active war. It transforms collective resources into direct action, building consensus around the dignity of all lives while funding food security operations across Israel and Palestine.

This project is a national scale, multi platform campaign calling for early elections in Israel. Launched alongside physical billboards and a social media push, the central website uses infographics to demonstrate a broad public consensus on core civic issues. The objective was to harness the clarity of data visualization to empower the liberal voice in the country and motivate active civic participation.